Lackluster mash-up of vampires & post-apocalyptic elements, 2.5 stars
In Julie Kagawa’s new BLOOD OF EDEN series, the future is a place of loss and fear: most humans have died due to a world-wide plague and those who remain are controlled by vampire lords in guarded cities. Allie scrapes out a life on the edge of society as one of the humans beyond notice of the vampires. But after she is attacked, she must make a decision: die or become that which she despises? In her new form, Allie must battle between blood lust and humanity, especially as her journey takes her outside the city walls and joins her with a ragtag group of humans searching for a promised land free from vampires.
Though I went into The Immortal Rules with high hopes, I was left disappointed. Kagawa’s writing or style wasn’t bad, but neither ever grabbed me. The book also seemed too long for the tale it tells, and the premise didn’t feel very inspired. The book simply felt like a mash-up of what’s “hot” right now (vampires + pseudo-zombies + post-apocalyptic/dystopian). When the vampire or post-apocalyptic elements did appear, they felt predicable. For example, Allie’s vampire sire seemed straight out of other vampire tales (the cool, collected one who is patrician and guarded), and Allie seemed too much like the generic “tough girl” character so often seen in dystopian/post-apocalyptic novels. Because she was supposed to be so strong and hardened, some of the characterization used to describe her also didn’t feel right, like Allie’s concern for a needy, demanding refugee and her soft, reticent feelings about being kissed. The action, when it did occur, was often brutal and harrowing, but it wasn’t enough to keep me reading quickly for nearly 500 pages. The main character and those she cared about (or those who moved the plot forward) escaped true damage too easily and too often for me to be able to suspend disbelief.
On the positive side, this book might be great for Kagawa fans who are looking for her to do something darker than her Iron Fey series. The story is gritty and dark, and it doesn’t flinch at depicting gruesomely violent or harsh circumstances. The plot also includes some interesting ideas about vampirism as a disease, and the mix of that with an element of religious fanaticism among the surviving humans drew me in more during the latter half of the book.
On the whole, though, The Immortal Rules didn’t have enough positive points to make me ignore the predictability or slow pace. Despite that, I hope this book finds a warmer reception with those who like her writing or are looking for a tale that combines elements from some of today’s most popular genres.
Note: Though I didn’t take this into account in my review, I have to mention the white-washing of the cover. The main character, Allison Sekemoto, is repeatedly described as Asian, but the cover model is not.
**This review refers to an advance review copy.