Frustrating mix of problems slows novel down, 2.5 stars
In Cassandra Clare's fourth installment of her Mortal Instruments series, CITY OF FALLEN ANGELS, the Great War has passed and everyone is left trying to recover. Clary and Jace have the first opportunity to really enjoy their relationship, but Jace starts to pull away. Simon is juggling relationships with two girls while also contending with different factions that want him for his Daylighter abilities. When Shadowhunters start turning up dead in the different Downworlder districts, the group realizes that darker threats are afoot and secrets are being kept that could endanger them all.
Unlike the fun but light reads of the previous books in the series, CITY OF FALLEN ANGELS does not continue that trend. The fast, action-driven pace of the past novels is gone and replaced with character drama that doesn't serve to elicit growth from any of the characters. The storyline focuses heavily on new problems between Jace and Clary, and some of Jace's actions become inexcusable. Because of this focus on the characters' personal problems, pacing is slow for the first 300 pages. The writing remains okay but overwrought with similes and metaphors, and typos appear starting on the third page. Most frustratingly, this installment is filled with plot points similar to those in past books, plot holes, and continuity errors that could not be ignored. Many plot points are dropped after being brought up, and others are handled clumsily with many logic errors. Unclear or unreliable world building permeates the story, especially in regard to new threats, new villains, and Simon's mark. The book also ends on much more of a cliffhanger than previous installments, and the new conflict that's created is an extension of a storyline that readers would have thought had finished with the first trilogy.
On the positive side, this book continues a series that is loved by many. Greater focus on Simon, Isabelle, and some of the other characters provides a nice reprieve from the Jace/Clary drama, and the identity of the villain, while unoriginal, does come as a surprise. In the coming two sequels, I hope that Clare clears up some of the plot misses and moves beyond the set conflicts she's created in order to provide her characters with more opportunities for growth.
Additional note: A new character is introduced, and his character adds some novelty to the story. His previously horrific actions and those of another male in the book, however, are given the unsettling treatment that it's all right if he didn't mean to do it because he was under the influence of something else. While it's a stretch to compare fantasy motives to real-life situations, I'm concerned that this message suggests that an abusive partner's actions are excusable if the action can be "blamed" on something else (e.g., alcohol , drugs).